When an operation in Istanbul goes wrong, Bond is shot and declared
deceased. He is resurrected by M (Judi Dench) to fight an old enemy
whose cyber terrorism threatens the existence of MI6. Bond returns to form in perhaps the most beautiful Bond movie of them
all. Sam Mendes steers the world's biggest film franchise through an
escalating sequence of astonishing action scenes if never delivering
much real espionage. Craig is excellent, taking the character to the
limit.
Remember when we first saw Daniel Craig in Casino Royale? He was
brutal: bludgeoning bad guys, running through walls and jumping off
cranes. He lost his way in Quantum Of Solace, a follow-up afflicted by a
confusing script and the credit crunch. This is the successful
return of Bond. First and foremost, Sam Mendes has crafted one of the
most stylish blockbusters you'll ever set eyes on. Skyfall is masterfully shot, lavishing screen time on its star as he deteriorates and is resurrected.
Bond has never lost his edge like this. There's a moment where he
stands at an MI6 testing facility, struggling to steady his weapon as he
stares down the gun range through bloodshot eyes. Of course he'll make
it back. But it's an arresting moment. We genuinely fear for him. "Sometimes
the old ways are the best," coos Naomie Harris (a magnificent, steamy
performance) as she shaves him with a cut-throat razor (one of a
sequence of wonderfully sexy encounters). And Skyfall delivers on that
promise, unabashedly throwing in retro Bond touches throughout with
plenty of humour. Judi Dench, in her most extensive and challenging Bond
role, is made to defend the existence of 007, his old-fashioned ways
and his type from the pencil pushers. So it's a delight to see her hop
in the Aston Martin alongside Bond and go to war.
That's the
moment, about two hours in, when Skyfall becomes a battle, set in 007's
old family home. For half an hour or so, we forget the plot twists and
go at it with all guns blazing. There are revelations, yes, but it might
have been nice to have seen Bond outsmart the terror threat of Javier
Bardem's cyber-villain, which never really happens. In fact that's
the only criticism you can level at this brilliantly realised and
enormously ambitious blockbuster. There are no real spy games in
Skyfall. That's not a criticism of Javier Bardem, who brings a bucketful
of humour and creepiness to his villain. But he simply magics villainy
out of thin air through his computer, before losing his marbles and
going full tilt at M ('Mommy') and 007.
But forget it, the joy of Skyfall is to sit back and let it land, majestically, on the back of your eyeballs.
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